BLURB: “After a bitter betrayal, a King vows never to be deceived again. But the King’s plan to protect himself will endanger all of the realm’s young women, unless one of them volunteers to surrender her life to marry the King. To everyone’s relief and horror, Shahrazad, the daughter of a legendary storyteller, steps forward. On her wedding night, Shahrazad begins to weave a tale for the King. Fascinated, the King lets her live night after night. Just when Shahrazad dares to believe that she has found a way to keep her life – and has discovered an unexpected love – a treacherous plot disrupts her plan. Now Shahrazad must hope that love is strong enough to save her”
REVIEW: This book is one of many in the ‘Once Upon a Time’ collection, a project by a number of authors (including Dokey) designed to reimagine fairytales in a new and vibrant way, turning the women of these tales into true protagonists. This is the first novel of the project I have read, and I found it enjoyable. ‘The Storyteller’s Daughter’ is a retelling of the Arabian Nights tale, and Dokey introduces a strong and likeable main character with the blind but gifted Shahrazad, an outcast of society who remains the beloved apple of her father’s eye. The majority of the novel is a mixture of stories that Shahrazad reads from the scrolls left to her by her dead mother Maju, and the relationship that develops between Shahrazad and Shahrayar when she marries him in order to save other women from certain death. I enjoyed the tales told by Shahrazad, and the blossoming romance between herself and Shahrayar; I also enjoyed the coup that was staged against them both towards the end of the book. However, I did find that the writing sometimes seemed stilted, often simplistic and rushed, which made it a little dull at times. The relationship between Shahrazad and Shahrayar was also built up very mildly and never seemed to reach a point of culmination for the reader. This, and the simplistic writing style, could both be explained by the fact that these books are based on fairytales which, after all, are meant to teach and guide us rather than launch into vivid and length descriptions of each and every detail. I did, however, think that some elements of this book could have used more description and visualisation in order to give it more depth and prevent it from being just another traditional fairytale.
BLURB: “Alyss of Wonderland’s rule has just begun, but the Queendom is already under threat. Someone is using the brutal Glass Eyes and attacking Wonderland on all sides. It can only mean one thing: the evil Redd Heart has returned…”
REVIEW: This second novel in Beddor’s Alice-in-Wonderland-inspired ‘The Looking Glass Wars’ trilogy was, I found, much more complex than the first. Rather than having one plot, it seemed to have several smaller sub-plots that combined together to make a gripping but also rather tangled story of Alyss’ first few months as Queen of Wonderland. Firstly, of course, is the story of Alyss trying to fit in with her role as Queen, learning once again to manipulate her powers of White Imagination, dealing with an unruly populace, and attempting to determine and control her feelings for the much-changed Dodge Anders. On the opposing side, however, is the tale of Redd Heart, who has retreated to our world and is attempting to build up her armed forces enough to take on Alyss, while also trying to complete her own unfinished Looking Glass Maze which, she believes, will make her far more powerful than Alyss. The introduction of a more personal story for Hatter Madigan was one that I really enjoyed, and I felt that it added an extra dimension to the novel, dealing with themes of love and sacrifice that make the novel far more touching. The addition of King Arch of the Boarderlands as a second enemy to Alyss and Wonderland was also inspired, making the novel even more full of conspiracy and treachery. This is a great follow-up to the first book, and I am really looking forward to reading the last book in the series!
BLURB: “You think you know the true story of Alice in Wonderland? Well think again. Alyss is destined to become Queen of Wonderland…until her parents are murdered. She flees to safety in our world. Years pass. Now it is time to return.”
REVIEW: I absolutely love twisted versions of fairytales (as long-term followers of this blog may by now have realised!) and was greatly looking forward to reading this trilogy. The first book in the series opens with the birthday party of the young heir to the throne, Princess Alyss Heart, a celebration that travels throughout Wonderland. However, the festivities are soon ruined by the invading forces of Alyss’ vindictive Aunt, Redd Heart, the sister of Queen Genevieve and, as she believes, the rightful heir to the throne of Wonderland. As both of her parents are murdered by Redd and her army, Alyss escapes with the head of the Millinery Army, Hatter Madigan, into the real world. Here Beddor cleverly links the story of Princess Alyss with the tale of Alice in Wonderland that we all know and love, as Alyss is adopted by the Liddell family and becomes the inspiration for a work of fiction written by Reverend Charles Dodgson (pename Lewis Carroll). She even catches the eye of the young Prince Leopold and is all set to marry him when she is abruptly returned to Wonderland by her childhood sweetheart, guardsman Dodge Anders. Thirteen years have passed in Wonderland since her disappearance, and Redd’s control over Wonderland is completely Totalitarian and fully established, sharing similarities with real dictatorships throughout history. From this point on a battle exists between Redd and the Alyssians, the resistance movement that has now rallied around Alyss, as Alyss tries to find the Looking Glass Maze – a maze which, if she successfully navigates it, will make her powerful enough to destroy Redd and take back the throne of Wonderland. The book is brilliantly written, with links to all of our favourite characters from Lewis Carroll’s original tale. Beddor makes Wonderland a dark and mystical place that entrances the reader and grips them from the very first page. I have almost finished the second book in the trilogy and look forward to seeing how if it will conclude as well as this first book did!
BLURB: “Italy, 1492. Five-year-old Mura is a strange and bewitching child. Daughter of a Nordic mother and Spanish father, she has been tutored in both Arabic learning and the ancient mythology of the North. But when her widower father is taken by the Inquisition, Mura is sold to a Genoese slaver. In the port of Savona, Mura’s androgynous looks and unusual abilities fetch a high price. She is bought as a house slave for the powerful Medici, arriving in Florence as the city prepares for war against the French. When the family are forced to flee, Mura finds herself gifted to the notorious Lioness of Romagna, Countess Caterina Sforza. Beautiful, ruthless and intelligent, the Countess is fascinated by Mura’s arcane knowledge. As the Lioness educates her further in the arts of alchemy, potions and poisons, Mura becomes a potent weapon in the Machiavellian intrigues of the Renaissance court…”
REVIEW: I must start this review by clarifying that, despite the poor rating I have given this novel as a whole, I did find the first third of the book extremely gripping and was instantly hooked. Mura is introduced to us as an unusual, mystical child, who escapes with a prostitute as her home and her father go up in flames at the hands of the Inquisition. From then on Mura suffers a series of hardships, including a harsh rape in the brothel, the supposed death of her only friend, a young clerk named Cecco, and the witnessing of many atrocities of war than even the reader cannot entirely erase from their minds. There were many elements of the book, however, that I felt were not sufficiently explained or dealt with in enough detail, and this is perhaps where I began to wander and lose interest. For example, Mura is described as having some kind of mystical power; the visions she has permeate the novel in a disjointed and metaphorical fashion that often makes them difficult to understand. There are hints of associations with demons and associations with wolves, yet we never fully find out the extent of Mura’s powers, nor do we really see much of them, despite the fact that every other character in the novel makes a hugely big deal out of them. The only proper sign of power we see from Mura is in the potions she mixes in Caterina Sforza’s household; but this was a talent held by many wise women at the time, and does not make Mura particularly unusual for the period. There were also frequent mentions by Mura of some sort of genital deformity that was never clearly explained, though it was, however, hinted that Mura would not be able to have intercourse or give birth. Yet, later in the novel she becomes the mistress of the captor of her mistress, Caterina. I was quite puzzled by this, though by this point in the novel my attention had begun to wander so I may have missed the explanation that was surely there somewhere. Although the presence of these issues did diminish my enjoyment of the book, there were many things I liked about the novel. It has a very satisfactory conclusion involving my favourite plotline of the book, that of Mura’s growing closeness with the clerk Cecco, and the battle scenes and war crimes committed were written with such a level of clarity and detail that I found them truly shocking and haunting. If Hilton had perhaps explained some of the more complicated elements of the book a little more clearly, I feel that I would have enjoyed it more.
BLURB: “As a girl, Judith gives her heart to Nancherrow, the Cornish estate where she grew up, practically adopted by the glamorous Carey-Lewis family. And to their eldest son. But the sun-drenched Cornish days give way to the rolling clouds of war and Judith has a lot of growing up to do before she can finally come home”
REVIEW: As you may have noticed, there has been quite a gap between this review and my previous one – namely because this book is 1016 pages long which, although not the longest book I have ever read, did make it more time-consuming than I had imagined! However, I can say without doubt that it was definitely worth taking up so much time to read this wonderful novel. It was lent to me by my nan, who has read a lot of Pilcher’s works before but claimed this as her favourite and insisted I would like it. Slightly doubtful, I began to read this book despite longing to read some new ones I had bought – and was instantly hooked. The novel follows Judith Dunbar, a girl of fourteen at the start of the book, over the ten years of her life that encompass boarding school and the Second World War, which brings a huge amount of tragedy both to Judith and to those she holds dear. At the beginning of the novel, Judith is separated from her mother and sister, who are travelling to join her father, an officer stationed in Singapore, and is sent to St Ursula’s school as a boarder. There she meets Loveday Carey-Lewis, the spoilt and chaotic child of the glamorous Carey-Lewis family, who soon take Judith in as one of their own and give her her very own bedroom at their grand manor of Nancherrow. Through Nancherrow Pilcher introduces some fascinating characters; Loveday’s parents, the stoic Colonel and his glamorous wife Diana; her brother Edward, who soon steals Judith’s heart; her older sister Athena, a beautiful traveller; and doctor Jeremy Wells, whose affection for Judith grows throughout the book and consistently delights the reader, among many others. Each and every single one of the book’s many characters are brilliantly written, seeming almost to jump off the page, and the reader grows to care about all except the villains of the piece, which includes old lecher Billy Fawcett. This book had me hooked from start to finish with its simple, heartwarming and tragic tale of Cornish country life, and by the end of the novel I cared so deeply for the protagonist, Judith Dunbar, that I felt almost as though she were a friend of mine. I would highly recommend it.
BLURB: “Seventeen-year-old Catherine ‘Cat’ Morland has led a sheltered existence in rural Dorset, a life entirely bereft of the romance and excitement for which she yearns. So when Cat’s wealthy neighbours, the Allens, ask her to accompany them to the Edinburgh festival, she is sure adventure beckons. Edinburgh initially offers no such thrills: Susie Allen is obsessed by shopping, Andrew Allen by the Fringe. A Highland Dance class, though, brings Cat a new acquaintance: Henry Tilney, a pale, dark-eyed gentleman whose family home, Northanger Abbey, sounds perfectly thrilling. And an introduction to Bella Thorpe, who shares her passion for supernatural novels, provides Cat with a like-minded friend. But with Bella comes her brother John, an obnoxious banker whose vulgar behaviour seems designed to thwart Cat’s growing fondness for Henry. Happily, rescue is at hand. The rigidly formal General Tilney invites her to stay at Northanger with son Henry and daughter Eleanor. Cat’s imagination runs riot: an ancient abbey, crumbling turrets, secret chambers, ghosts…and Henry! What could be more deliciously romantic? But Cat gets far more than she bargained for in this isolated corner of the Scottish borders. The real world outside the pages of a novel proves to be altogether more disturbing than the imagined world within…”
REVIEW: I love reading modern twists on classic novels, and Val McDermid’s 21st century version of Jane Austen’s brilliant ‘Northanger Abbey’ certainly did not disappoint. The original ‘Northanger Abbey’ has often been classified as a work of Gothic fiction, Austen’s only novel in this genre, and McDermid brilliantly translates the suspense, mystery and drama of Victorian Gothic into a modern setting. The blurb pretty much covers the main points of the story, but I would just like to comment on how excellently McDermid transformed the characters from 19th century paragons to modern teenagers. Cat is just as she is in the original text; witty, imaginative and insistent on believing in the kindness and good hearts of others, while the banter between her and Henry reflects passages from the original text, making the reader feel even more attached to the characters. McDermid’s most brilliant achievement, I feel, was her transformation of Bella Thorpe. Bella behaves exactly how one always imagined the modern Isabella would, written as a selfish, vain and overdramatic flirt who cares little for the feelings and needs of others. I thoroughly enjoyed McDermid’s twist on a literary classic, and couldn’t put it down – therefore I would highly recommend it, particularly to fans of Austen’s original.
BLURB: “Hardy’s atmospheric, moving story of star-crossed lovers shows human beings at the mercy of forces far beyond their control, setting a tragic drama of human passion against a background of vast stellar space and scientific discovery. ‘Two on a Tower’ tells the story of Lady Constantine, who breaks all the rules of decorum when she falls in love with the beautiful youth Swithin St Cleeve, her social inferior and ten years her junior. Together, in an ancient monument converted into an astronomical observation tower, they create their own private universe – until the pressures of the outside world threaten to destroy it.”
REVIEW: Thomas Hardy has been my favourite author ever since I read what is now my favourite book, ‘Tess of the d’Urbervilles’, just over three years ago – consequently, I was greatly looking forward to reading ‘Two on a Tower’, one of Hardy’s lesser known works. The novel did not disappoint. The love affair that develops between Lady Viviette Constantine and Swithin St Cleeve is slow to develop, at least on his part, but this gives their love a greater realism than is seen in the majority of classic novels; the slow-burning nature of their affection also makes Viviette’s confession of love (and Swithin’s reciprocation) much more satisfying and exciting for the reader, as does the forbidden nature of their affair. Despite being a promising astronomer, Swithin is an orphan of low social rank with hardly a penny to his name, while Viviette is the neglected wife of an absent yet bullying Lord Constantine, making her the Lady of the parish. Socially, the two could not be more different, yet, a shared interest in astronomy brings them together in the most believable of ways. I was hugely impressed with Hardy’s knowledge of astronomy and astronomical terms, and loved how the movements of the stars and planets almost seemed to become characters themselves in the plotline, often reflecting the moods of the characters in hugely symbolic ways. Being of such different ranks and ages, however, means that the love that Swithin and Viviette share does not fail to undergo numerous hardships, even after their hasty, secret wedding in London. It is impossible to say more without ruining the novel, but it is safe to say that, as in the majority of Hardy’s works, there is no escape from tragedy for the star-crossed couple, and the ending had me in floods of tears. I would highly recommend this book to fans of Hardy, Victorian literature and romance.