BLURB: “One of the best-known figures of British History, the stereotypical image of Henry VIII is of a corpulent, covetous and cunning King whose appetite for worldly goods met few parallels, whose wives met infamously premature ends, and whose religion was ever political in intent. Moving beyond this caricature, 1536 – focusing on a pivotal year in the life of the King – reveals a fuller portrait of this complex monarch, detailing the finer shades of humanity that have so long been overlooked. We discover that in 1536 Henry met many failures – physical, personal and political – and emerged from them a different man: a revolutionary new King who proceeded to transform a nation and reform a religion. A compelling story, the effects of which are still with us today, 1536 demonstrates what a profound difference can be made to a nation simply by changing the heart of a King.”
REVIEW: I have read a great many biographies of Henry VIII since my fascination with the Tudors developed, but none captured and held my attention quite as well as this one did. Focusing on one short but extremely dramatic year in the reign of Henry VIII, Lipscomb looks at the crises of religion, masculinity and politics that engulfed Henry in a period that many describe as his annus horribilis, and analyses the effect that these events had on his personality. Prior to 1536, Lipscomb argues, Henry seems to have been beloved by the people, a benevolent King who, despite outbreaks of temper, was on the whole well-liked and respected, ruling with at least an attempt at justice and fairness. After 1536, however, the tyrannical, obese and intimidating monarch that we are all familiar with from school history classes began to emerge. It is this transition – from golden prince to tyrant – that Lipscomb explores. She focuses particularly on ideas about masculinity at the time, and how Henry’s reputation as a man was heavily damaged by the adultery charges brought against Anne Boleyn and the rumours about his impotence which circulated during her trial. This meant that Henry had an even greater need to prove himself as a man and assert his masculinity, which he did through strengthening his religious policy, taking a firmer line against his political opponents and in Parliament, and through the use of royal iconography – in particular, the infamous portrait of him which was painted as part of a mural designed by Holbein. Lipscomb’s explorations of this paints a very believable image of Henry’s descent into tyranny, and clearly explains to the reader why Henry’s need to prove his masculinity was inextricably linked to proving his status as the rightful King and Supreme Head of the Church. This biography was easy to read and understand which made it easier to absorb the information – something that often passes the reader by with more heavily written non-fiction books. I thoroughly enjoyed it and look forward to reading any further works that Lipscomb may publish on the Tudors.