BLURB: “This is the secret history of Alice’s Adventures in Wonderland.
Wonderland is part of our cultural heritage. But beneath the fairytale lies the complex history of the author and his subject. Charles Dodgson was a quiet academic but his second self, Lewis Carroll, was a storyteller, innovator and avid collector of ‘child-friends’. Carroll’s imagination was to give Alice Liddell, his ‘dream-child’, a fictional alter ego that would never let her grow up.
This is a biography that beautifully unravels the magic of Alice. It is a history of love and loss, innocence and ambiguity. It is the story of one man’s need to make a Wonderland in a changing world.”
REVIEW: I have wanted to read this book since its release, and was very excited to receive it for my birthday last month. I am a huge fan of Alice in Wonderland and have read the book and its sequel, Through the Looking Glass, many times. Although I knew a little, as many of do, about the story behind Carroll’s creation of this famous tale – his close friendship with a little girl named Alice Liddell, whom he one day took a boat ride with and, to amuse her, told her the story which would eventually become Alice’s Adventures in Wonderland – I learnt a great deal more through reading this biography. Douglas-Fairhurst writes beautifully, and the book reads almost like a novel itself, truly capturing the magic surrounding both the creation and dissemination of Alice. A great deal of time is spent discussing one of the great mysteries of Lewis Carroll; how close was he to Alice Liddell and the other little girls he befriended and photographed? As an amateur photographer, the majority of Carroll’s portraits involved young girls, many of them named Alice and some either nude or barely dressed. Douglas-Fairhurst discusses the problems this poses for us in the modern day, looking back on Carroll and his life; realistically, many of us might apply the term of paedophile to Carroll, in light of what we can see from his photographs and the letters he wrote to these young girls. However, Carroll – when he was busy being Charles Dodgson – was a reverend, a religious man, and often condemned those who viewed the purity and innocence of children through a ‘sinful’ eye. I would concur with the conclusion that Douglas-Fairhurst makes: that Carroll was, in fact, simply captivated by the innocence and beauty of youth, a period of life which he saw as carefree and creative. Carroll maintained a close relationship with children because he loved youth and wished to reconnect with his own lost years, and I think you can see that childish and youthful imagination shining through in both of the Alice books. I really enjoyed learning more about Carroll and the story behind the creation of Alice, and would highly recommend this book.