“A heart may desire a thing powerfully indeed, but that heart’s desire might be what a person least needs, for her health, for her continuing happiness”
BLURB: “In her inspired re-working of the fairy tale Snow White and Rose Red, Margo Lanagan has created characters that are vivid, passionate, flawed and fiercely devoted to their hearts’ desires, whether these desires are good or evil. It is the story of two worlds – one real, one magical – and how, despite the safe haven her magical world offers to those who have suffered, her characters can never turn their backs on the real world, with all its beauty and brutality”
REVIEW: I have often said how much I enjoy reading novels that are retellings or reworkings of fairytales, and I’ve had ‘Tender Morsels’ on my bookshelf for so long that I’d almost completely forgotten about it. I was really excited to get stuck in, and see how Lanagan had managed to twist the traditional Snow White and Rose Red story.
‘Tender Morsels’ tells the story of Liga, a young woman who is raped and abused by her father and, after his death, is gang raped by a group of boys from the nearby village. Destroyed by what has happened, Liga hardly knows where to turn, and ends up opening a kind of magical portal to a new world, in which she and the two daughters she has bourne from these terrifying encounters will be safe. However, there are other points of view that appear throughout the story, such as that of the midget Collaby Dought and Davit Ramstrong, a man who accidentally enters into Liga’s magical world in the form of a bear, becoming close to her and both of her daughters. These points of view seem to switch very suddenly, and the fast move from third to first person can be quite confusing, particularly in the beginning of the novel when the reader is not yet used to it. The writing style also seems a little jumbled at times, but I think this may just be due to the author’s attempt to keep up a fast pace and to ensure that the stories of all the characters are included. It only appears to be the male characters in the novel who are granted a first-person perspective, despite the fact that the female characters – particularly Liga and her daughters, Branza and Urdda – are more central to the plot of the novel. This was another thing that I found slightly confusing, and I would have much rather heard more from the female characters; particularly as I found the character of Collaby to serve very little purpose as a whole in the novel, other than as an illustration of how dangerous the magical world could be despite the safety it provided to Liga and her family.
I did begin to enjoy the book significantly more from around halfway through, with the introduction of the first bear that the girls learn to befriend. From this point onwards the novel became more gripping, and it was from this point that the gradual discovery of the two parallel worlds began. Even in this section, however, which I enjoyed, I found some aspects of the plot to be disappointing. The disappearance of Urdda, who finds her way into the real world from within the magical, is strangely dealt with by both Liga and Branza, neither of whom seemed to feel any hugely significant emotion towards her loss. The later transition of Liga and Branza into the real world, and their reunion with Urdda and the character of Annie (a favourite of mine) was well-written, with the real world being portrayed in stark contrast and Liga and Branza’s adjustment to this being completely believable. The reader also feels a grim satisfaction when Urdda uses the hidden magic within her to accidentally reap a terrible revenge on the five men who gang raped and abused Liga, leading to Urdda’s conception. However, I also felt that the announcement of Davit’s marriage to Branza came too close to the end of the novel and too suddenly, which did not allow Lanagan to sufficiently explore the emotions of Liga, who had nursed feelings for Davit ever since the time he spent with her as a bear in the magical world.
Lanagan’s writing style is unusual, and often vividly descriptive. The story itself, however, is highly complex and fast-paced, and could sometimes have done with being more detailed in places to ensure that the reader understood what was happening. As previously mentioned, the transitions from third- to first-person were also confusing and sometimes made the story hard to follow, and it would have been nice to hear first-hand from the female characters. I enjoyed this novel, but would not read it a second time, and nor would I neccessarily make an enthusiastic recommendation. It was intriguing, but I had expected something a little different and think Lanagan could have gone down a different and more engaging route.