BLURB: “Lady Athelinda Playford has planned a house party at her mansion, but it is no ordinary gathering. She announces that she has decided to change her will, cutting off her children and leaving her fortune to someone who has only weeks to live…
Among Lady Playford’s guests are Belgian detective Hercule Poirot and Inspector Edward Catchpool of Scotland Yard, who have no idea why they’ve been invited…until Poirot starts to wonder if Lady Playford expects a murderer to strike. When the crime is committed, and the victim is not who Poirot thought it would be, will he be able to solve the mystery?”
REVIEW: I’ve always been a fan of Agatha Christie, particularly those stories led by Poirot, one of her most famous protagonists. I was keen to read these new takes on Christie’s original character, written by Sophie Hannah, after being recommended them by a friend. I was most certainly not disappointed; in fact, I was instantly captured by how Hannah seems to mirror Christie’s writing style so accurately, whilst also adding an additional flavour of her own particular style. The book was witty, offered an excellent social commentary on the class issues of the period, and captured the true essence of a traditional murder mystery. Mostly narrated by Inspector Edward Catchpool, an old associate of Poirot, this novel tells the story of famed children’s mystery author, Lady Athelinda Playford, who lives with children Harry and Claudia and their respective partners, Dorro and Randall. The household also contains a butler, maid and cook – and, most integral to the story, a young, unwell man named Joseph Scotcher who is a close friend of Lady Playford, accompanied by his nurse, Sophie. Alongside Poirot and Catchpool, Lady Playford also invites her lawyer friend, Michael Gathercole, and his associate Orville Rolfe, to stay at her home for the announcement of changes she has made to her will. Upon the announcement that she plans to leave all of her estate to Joseph, who is dying of a kidney disease, there is uproar among her family, and Poirot begins to expect that he and Catchpool have been invited to prevent a sinister event occuring. When Joseph is murdered later that evening, having just proposed marriage to his nurse, the events take a darker and more confusing turn. As the mystery deepens and the police get involved, making inept decisions at every turn, Poirot and Catchpool are left to work on their own intiative to uncover who, out of the many motives presented by Lady Playford’s guests and family, felt their motive deeply enough to murder an already dying man – and how they did so. I do not wish to reveal the ending of the story here, as the twist is cleverly done and thoroughly explained by the character of Poirot, but I was very impressed with the ending and, indeed, with the book as a whole. I am very keen to read Hannah’s other Christie-inspired work, ‘Monogram Murders’ – I’m hoping it will be waiting under my Christmas tree!