The Corset by Laura Purcell



BLURB: “Dorothea and Ruth. Prison visitor and prisoner. Powerful and powerless.

Dorothea Truelove is young, wealthy and beautiful. Ruth Butterham is young, poor and awaiting trial for murder.

When Dorothea’s charitable work leads her to Oakgate Prison, she is delighted to have the chance to explore her fascination with phrenology and test her hypothesis that the shape of a person’s skull can cast a light on their darkest crimes. But when she meets teenage seamstress Ruth, she is faced with another theory: that it is possible to kill with a needle and thread. For Ruth attributes her crimes to a supernatural power inherent in her stitches.

The story Ruth has to tell of her deadly creations – of bitterness and betrayal, of death and dresses – will shake Dorothea’s belief in rationality, and the power of redemption. Can Ruth be trusted? Is she mad, or a murderer?”

REVIEW: As followers of this blog may remember, I absolutely adored Purcell’s previous novel, ‘The Silent Companions’ – in fact, as it currently stands it will probably be my top book of the year – and couldn’t wait to see if  ‘The Corset’ was just as full of Gothic magic as its predeccessor. It proved to be just as gripping from the off, and was also told from the alternating perspectives of two very different women.

The novel tells the story of Dorothea and Ruth. Dotty is a wealthy young woman living with a disapproving father who is desperate to marry her off, despite the fact that she is secretly planning to run away with a policeman. She also has an obsession with phrenology, a medical sensation of the period in which it was believed that the shape of a person’s skull could determine their character. Dotty, however, is particularly interested in the link between phrenology and murder. As part of her research, she is a frequent visitor at Oakgate prison, having deep discussions with the female inmates and examining their skulls as part of her ‘charitable’ work. When Ruth arrives at the prison Dotty is eager to meet her, due to the severe nature of the crime she is accused of – murder.

Through Ruth’s perspective, we are taken back to where her story begins, and learn a great deal about her unhappy life and the unsettling events that occurred within it. Living in poverty with a drunken father and overworked mother, and mercilessly tormented by her classmates, Ruth is forced to leave work and become an apprentice to her mother after her talent for needlework is discovered, in order to keep the house afloat. But with the tremendously difficult birth of her younger sister Naomi, things suddenly begin to take a dark turn, and Ruth realises that whatever she shows starts to possess a power that she can neither control or stop. This continues when Ruth is forced into work for the formidable Mrs Metyard, whose mania after the death of her husband makes her hugely dangerous for Ruth and the other maids to be around. Her daughter, Kate, appears just as cruel, and Ruth endures hell on earth while living under the Metyards’ roof. The only person who seems able to help her in this dreadful place is Billy Rooker, Kate’s fiance, who often tries to help Ruth and the other girls when the anger of Mrs Metyard puts them in peril. Mrs Metyard’s cruelty is uncovered, however, and Ruth instead begins to work for her daughter, Kate, now married to Billy. But when Kate dies a sudden and mysterios death, Ruth believes that her stitches have once again wreaked pain and revenge, and confesses to her murder…

Dorothea, meanwhile, is fascinated by Ruth’s story, though she takes little heed of the idea of the needle and thread causing so much chaos and death. Alongside her visits to Ruth, Dorothea is also attempting to ward off an unwanted marriage proposal, prevent the remarriage of her father and make her own dreams of a love match a reality. When she learns some home truths about her father, however, Dotty is faced with an impossible decision that only Ruth can help her to make…

I really enjoyed having the alternating perspectives of these two characters, as it enables the reader to get to know them better. I did, however, find myself enjoying Ruth’s chapters considerably more than Dotty’s, and eagerly raced through the pages to get to them. Despite seeming a relatively ordinary young woman, Dotty is decidedly less likeable than the supposed murderer Ruth. She comes across as selfish and macarbe, though the reader does eventually come to admire her will and determination to stand on her own two feet. Ruth, however, is a far more sympathetic character, as we learn more deeply of her suffering, her strength throughout these obstacles, and the fact that the events that unfolded leading up to Kate’s death were not really her fault. I remained hooked all the way through, and as the story got darker and more unpredictable I couldn’t put the novel down. The twist at the end was brilliant, although I had hoped for mercy for Ruth. My love for ‘The Silent Companions’ remains stronger, but I would definitely highly recommend ‘The Corset’.


The Rose and the Dagger by Renee Ahdieh


“Two stubborn lovers, protecting each other from the very same threat.”


RATING: 3.5/5

BLURB: “In a land on the brink of war, Shahrzad has been torn from the love of her husband Khalid, the Caliph of Khorasan. She once believed him a monster, but his secrets revealed a man tormented by guilt and a powerful curse – one that might keep them apart forever. Reunited with her family, who have taken refuge with the enemies of Khalid, and Tariq, her childhood sweetheart, she should be happy. But Tariq now commands forces set on destroying Khalid’s empire. Shahrzad is almost a prisoner, caught between loyalties to people she loves.

Refusing to be a pawn, Shahrzad tries to uncover powers that may lie dormant within her. With the help of a tattered old carpet and a tempestuous but sage young man, Shahrzad will attempt to break the curse and reunite with her one true love.”

REVIEW: After thoroughly enjoying ‘The Wrath and the Dawn’, I was really excited to get started on its sequel, ‘The Rose and the Dagger’. Having been torn from her husband Khalid, Shahrzad finds herself by people whose only mission seems to be to kill him and ruin his empire, and by those who do not understand her love for him and judge her for it. Not to mention the fact that her childhood sweetheart, Tariq, is still bitter over being rejected in favour of Khalid and is still cold towards Shazi. Her relationship with her younger sister is also strained, and her father’s descent into madness as a result of meddling with magic is also difficult for her to deal with. The relationship between Shazi and Khalid, however, stays strong despite their separation and is in some ways more believable than it was in the previous novel.

I did find the novel as a whole less gripping than its predecessor, but still enjoyed the many twists and turns that occured throughout, particularly towards the ending. I also really felt the emotion in Ahdieh’s writing with the death of Rahim, lover of Shazi’s sister, which was truly heartbreaking and very well-written. Overall, however, I did not find this book as memorable nor as exciting as the first, but I enjoyed the satisfaction of the happy ending and am sad that there will not be further novels following Shazi and Khalid’s story.



The Wrath and the Dawn by Renee Ahdieh


“I know love is fragile. And loving someone like you is near impossible. Like holding something shattered through a raging sandstorm. If you want her to love you, shelter her from that storm…And make certain that storm isn’t you.”


BLURB: “Every dawn brings horror to a different family in a land ruled by a killer. Khalid, the eighteen-year-old Caliph of Khorasan, takes a new bride each night only to have her executed at sunrise. So it is a terrible surprise when sixteen-year-old Shahrzad volunteers to marry Khalid. But she does so with a clever plan to stay alive and exact revenge on the Caliph for the murder of her best friend and countless other girls. Shazi’s wit and will get her through to the dawn that no others have seen, but with a catch…she may be falling in love with a murderer.

Shazi discovers that the villainous boy-king is not all that he seems and neither are the deaths of so many girls. It’s up to her to uncover the reason for the murders and to break the cycle once and for all.”


REVIEW: It’s been a long while since I read any kind of Young Adult fantasy novel, so I was really looking forward to ‘The Wrath and the Dawn’. It certainly did not disappoint; I was hooked from the first page and found the book difficult to put down. Shahrzad is a brave and likeable heroine, and the reader cannot help but warm to her. After the death of her best friend Shiva at the hands of the Caliph of Khorasan, Shazi is determined to get revenge at whatever costs. She volunteers to marry the Caliph with a plan in place that will hopefully ensure her survival – and his demise.

When Shazi enthralls the Caliph with a story, one she promises to continue the following night – this novel clearly takes inspiration from the ancient story of ‘One Thousand and One Nights’, and does so brilliantly – she becomes the first of his brides to survive until the dawn. Much to the amazement of those in the palace, Shazi continues to survive, and begins to break through the Caliph’s barriers in a way that no-one else, not even his closest friends, have managed to do before. This comes at a cost, however; Shazi’s determination to murder Khalid is weakened as she begins to learn more about him and grow close to him. The development of feelings between the two is slightly predictable, yet so well-written that it still leaves the reader hooked even though we can clearly see it coming. The love-hate relationship soon turns to love and as Shazi learns the truth behind the deaths of Khalid’s wives, she realises the only way the two of them can be happy together is by breaking the curse that lays heavy upon Khalid and the land of Rey.

As Shazi grows closer to Khalid, however, outside forces are homing in on the surprising relationship between the two and are determined to put an end to it, including Shazi’s former lover, Tariq. Her father, Jaqar, also uses his magical gifts in order to try and save his daughter, not realising that Shazi is, in fact, beginning to feel at home in her new role as Calipha of Khorasan and wife of Khalid.

I loved the development of the relationship between Shazi and Khalid, so much so that I almost resented the parts of the novel where we got to see the perspectives of other characters, like Tariq. The novel itself is beautifully written and the reader can really visualise the setting; having never been to a country remotely comparable to the fictional land of Rey, this is an impressive feat for Ahdieh to have managed. The cliffhanger ending also made me eager to jump straight into the sequel, ‘The Rose and the Dagger’, which I will be reviewing on here shortly!


All the Light we Cannot See by Anthony Doerr



BLURB: “For Marie-Laure, blind since the age of six, the world is full of mazes. The miniature of a Paris neighbourhood, made by her father to teach her the way home. The microscopic layers within the valuable diamond that her father guards in the Museum of Natural History. The walled city by the sea, where father and daughter take refuge when the Nazis invade Paris. And a future which draws her ever closer to Werner, a German orphan, destined to labour in the mines until a broken radio fills his life with possibility and brings him to the notice of the Hitler Youth.

In this magnificent, deeply moving novel, the stories of Marie-Laure and Werner illuminate the ways, against all odds, people try to be good to one another.”

REVIEW: This is a beautifully written and evocative novel which follows the stories of two young people, Marie-Laure and Werner, during the years of the Second World War, focusing particularly on the German occupation of France. Marie-Laure is a young French girl, blind and living with her beloved Papa, a security guard at the Museum of Natural History. In his charge is one of the most precious jewels in the world , the Sea of Flames. This particular diamond is world-renowned and held under tight lock and key, and endangers the lives of Marie-Laure and her father when he is put in charge of it in order to hide it from occupying German Forces. Moving to the coastal town of Saint-Malo to live with her eccentric uncle Etienne and his maid, Marie-Laure has to learn to adapt to a whole new landscape, as well as cope with the disappearance of her father.

Meanwhile, a young German orphan named Werner is plucked from the obscurity of his orphanage and the love of his younger sister when his clever inventions and skills with electrical equipment get him noticed by the Hitler Youth. As he becomes more deeply involved, Werner begins to notice the wrongs of the regime and understand its deep-seated hatred and brutality. His noticing of this keeps him from revealing the identity of Marie-Laure when he discovers her making secret radio broadcasts during the German occupation. This is the point at which the stories of the two characters intertwine, a point which shows us the true beauty of how people will still help others even when the world as they know it is falling apart.

I loved the alternating point of views of these two protagonists, and other more secondary characters were also involved, including Nazi general  Von Rumpel, who is ruthless in his quest to find the Sea of Flames. Having the point of views of bother Marie-Laure and Werner allowed the reader to experience how young people in two very different countries may have adapted to the dangerous situations and tense atmosphere of the period, allowing greater focus on a huge event. Doerr’s writing style is gripping and interesting, as well as being brilliantly descriptive and beautifully worded; he really brings across a deepening sense of danger in the lives of both characters as the story (and the war) progresses. And when the meeting of Marie-Laure and Werner finally comes, it is just as the reader hoped it would be and more, although the moment is snatched away far too quickly by tragedy that has the reader reeling and feeling heartbroken. Despite the poignant ending, it is also a satisfying one that ties up the loose ends and leaves the reader feeling a sad echo of the novel long after they had finished it.


Mistress of All Evil by Serena Valentino



BLURB: “What of the Dark Fairy, Maleficent? Why does she curse the Princess Aurora to fall into an eternal sleep?

Many tales have tried to explain her motives. Here is one account, pulled from those passed down through the ages. It is a story of love and betrayal, magic and fantasy. It is a tale of the mistress of all evil.”

REVIEW: As a Disney fan and reader of all of Valentino’s previous novels on the Disney villains, I was looking forward to reading her take on the story of Maleficent, who is one of my favourite villains. I enjoyed instantly the links to Valentino’s previous novels, as the story opens where the last novel (‘Poor Unfortunate Soul’) left off, with the funeral of Ursula taking place and the Weird Sisters placed under a sleeping spell by their younger sister Circe. Other links to the previous novels occured throughout this tale, including the return of the characters Grimmhilde and Snow White, as well as Princess Tulip and Prince Popinjay. The return of these characters really added to the story; particularly the return of Nanny, who serves as a focal character in this novel in particular. We learn that she was once Maleficent’s adoptive mother, having found Maleficent as a young fairy abandoned in the Fairylands due to her green skin and growing horns. Maleficent was able to lead a happy childhood with Nanny, despite opposition and hostility from other members of the fairy community including Flora, Fauna and Merryweather, who essentially act as the high-school bullies of the story. From reading of this backstory, Maleficent becomes a highly empathetic character, as readers begin to understand the trauma of her past and the events which led her to become the Mistress of All Evil. In the present day, however, Maleficent has just put the Princess Aurora under a sleeping curse and seems determined to kill her, something she insists is for Aurora’s protection, though none can understand her motives.

When Maleficent’s motives are revealed, however, my interest in the novel waned slightly as this was the point where, for me, the plotline became just a bit too far-fetched. It is revealed that Maleficent is Aurora’s mother, and that Aurora was born of a magic spell invented by the Weird Sisters (through which they created their own daughter, Circe) in order to give Maleficent the company she craved after her magic destroyed the Fairylands and she lost all contact with those she loved. Maleficent soon realises, however, that Aurora will also have magic as she does, and rather than let it turn her daughter evil, she decides to put her into an enchanted sleep and attempt to kill her. I felt this whole section of the novel was stretched beyond what would be believeable purely to fit in with the traditional Disney storyline, and found that somewhat disappointing.

Overall, however, I still really enjoyed the novel and I loved the ending; it was my favourite yet of Valentino’s novels, despite the extraordinary plot. I am very much looking forward to reading her next Disney villains novel, which I believe will centre on Mother Gothel from ‘Tangled’.



Circe by Madeline Miller


“I had no right to claim him, I knew it. But in a solitary life, there are rare moments when another soul dips near yours, as stars once a year brush the earth. Such a constellation was he to me”

“He was another knife, I could feel it. A different sort, but a knife still. I did not care. I thought: give me the blade. Some things are worth spilling blood for”


BLURB: “In the house of Helios, god of the sun and mightiest of Titans, a daughter is born. But Circe has neither the look nor the voice of divinity, and is scorned and rejected by her kin. Increasingly isolated, she turns to mortals for companionship, leading her to discover a power forbidden to the gods: witchcraft.

When love drives Circe to cast a dark spell, vengeful Zeus banishes her to the remote island of Aiaia. There she learns to harness her occult craft, drawing strength from nature. But she will not always be alone; many are destined to pass through Circe’s place of exile, entwining their fates with hers. The messenger god, Hermes. The craftsman, Daedalus. A ship bearing golden fleece. And wily Odysseus, on his epic voyage home.

There is danger for a solitary woman in this world, and Circe’s independence draws the wrath of men and gods alike. To protect what she holds dear, Circe must decide whether she belongs with the deities she is born from, or the mortals she has come to love”

REVIEW: I absolutely adored Miller’s debut novel, ‘The Song of Achilles’, which is now widely regarded as a modern classic. I’ve therefore had ‘Circe’ on pre-order for months now, and was so excited when it finally arrived. I got sucked into the story of Circe straight away; I enjoy Greek mythology, and therefore knew the basis of her story and the stories of those whom she meets during her exile on Aiaia. However, Miller writes with such detail, making every character come alive so vivdly, that even if you were clueless about Greek myth the novel would still be easy to get into and understand. It is easy for the reader to bond with Circe, mostly through emotions like empathy and understanding, as we see her increasing loneliness throughout the novel. When Circe is stung by unrequited love and seeks revenge, this is also something the reader can sympathise with; we have all been hurt by love, in some way or another. This makes Circe easier to connect with, and the reader enjoys following her experiences while on exile in Aiaia. Circe is visited by some of the most famous and notary figures of her time, and also learns to defend herself against the mortals who would take advantage of her being a woman alone on an abandoned island. I particularly enjoyed the development of the relationship between Circe and the infamous Odysseus, and later in the novel her friendship with his wife, Penelope. Through these briefly appearing characters, we are able to keep up with the wider political events in Greece at this time and to witness Circe’s involvement in them. It allows the reader to experience the famous events of the Odyssey from an outside, female perspective which puts a different spin on it.

I also enjoyed the fierce and believable relationship between Circe and her son, Telegonus, the illegitimate child of Odysseus, and the budding romance she develops with Odysseus’ other so, Telemachus, as incestuous as this may seem to modern eyes. In light of this particular relationship, I also loved the ending; both pure and romantic, it showed Circe making the ultimate sacrifice for Telemachus and finally choosing whether to remain a deity or become a mortal like her lover.

I greatly enjoyed this novel and loved learning more about Circe, and more about the famous Greek myths in general, through the eyes of a character whom I could somehow relate to and whose perspective I enjoyed reading. I did not enjoy it quite so much as ‘The Song of Achilles’, but I would highly recommend it all the same.


Murder on the Orient Express by Agatha Christie


RATING: 3.5/5

BLURB: “The Orient Express was unusually full for the time of year. Hercule Poirot sat in the elegant restaurant car and amused himself by observing his fellow passengers: A Russian princess of great ugliness, a haughty English colonel, an American with a strange glint in his eye…and many more. The food and company were most congenial and the little Belgian detective was looking forward to a pleasant journey.

But it was not to be. After a restless night, Poirot awoke to find that tragedy had struck. First, the train had been brought to a standstill by a huge snowdrift. Secondly, a passenger lay dead in his compartment, stabbed a dozen times, his door locked from the inside…”

REVIEW: I love a good murder mystery, and it amazes me that despite having seen any number of stage and screen adaptations of Agatha Christie novels, I had never actually read one until now. Many of the Christie screen adaptations were ones I binge watched with my Nan, so my Grandad purchased me the beautiful copy pictured above for my birthday this year as a sort of gift in rememberance of her. However, with a story as famous as ‘Murder on the Orient Express’, I had already broken my number one rule as a bookworm: I had seen the movie before reading the book. This is something I hate doing, but is even more frustrating considering the incredibly clever layers of mystery that Christie builds up throughout this novel, which should have made the ending of the mystery more of a shock to me. This did not mean, however, that I appreciated the intellignet intricacies of Christie’s writing any less, nor did it mean that I did not enjoy the novel, but unfortunately I do think it may have affected my overall enjoyment.

The novel is easy to get into and instantly intriguing; Hercule Poirot is a familiar character, well-known and likeable despite his rather pompous nature. His fun, witty and engaging nature makes him trustworthy to the reader even when we can sense his arrogance, a trait that is not normally endearing. I did find some parts of the novel slower than others, and also found the frequent use of French without translation somewhat frustrating, though in the time period in which Christie was writing more readers would probably have been able to translate this from their own education. I enjoyed the duplicity of the mystery with the clever weaving in of the Daisy Armstrong case, which eventually provided many of the answers to this particular mystery. Although knowing the ending meant that I was not held in suspense, I could appreciate the way in which the reader was held in suspense right up until the last minute. The mystery still provided a satisfactory conclusion for the reader, however; we felt sympathy for the murderer(s) and understand the motives, and therefore are glad of the ending which Poirot devises for them.

I would recommend this novel and am looking forward to reading further stories by Christie in the future.