1

All the Light we Cannot See by Anthony Doerr

515qVtYo3yL

RATING: 4/5

BLURB: “For Marie-Laure, blind since the age of six, the world is full of mazes. The miniature of a Paris neighbourhood, made by her father to teach her the way home. The microscopic layers within the valuable diamond that her father guards in the Museum of Natural History. The walled city by the sea, where father and daughter take refuge when the Nazis invade Paris. And a future which draws her ever closer to Werner, a German orphan, destined to labour in the mines until a broken radio fills his life with possibility and brings him to the notice of the Hitler Youth.

In this magnificent, deeply moving novel, the stories of Marie-Laure and Werner illuminate the ways, against all odds, people try to be good to one another.”

REVIEW: This is a beautifully written and evocative novel which follows the stories of two young people, Marie-Laure and Werner, during the years of the Second World War, focusing particularly on the German occupation of France. Marie-Laure is a young French girl, blind and living with her beloved Papa, a security guard at the Museum of Natural History. In his charge is one of the most precious jewels in the world , the Sea of Flames. This particular diamond is world-renowned and held under tight lock and key, and endangers the lives of Marie-Laure and her father when he is put in charge of it in order to hide it from occupying German Forces. Moving to the coastal town of Saint-Malo to live with her eccentric uncle Etienne and his maid, Marie-Laure has to learn to adapt to a whole new landscape, as well as cope with the disappearance of her father.

Meanwhile, a young German orphan named Werner is plucked from the obscurity of his orphanage and the love of his younger sister when his clever inventions and skills with electrical equipment get him noticed by the Hitler Youth. As he becomes more deeply involved, Werner begins to notice the wrongs of the regime and understand its deep-seated hatred and brutality. His noticing of this keeps him from revealing the identity of Marie-Laure when he discovers her making secret radio broadcasts during the German occupation. This is the point at which the stories of the two characters intertwine, a point which shows us the true beauty of how people will still help others even when the world as they know it is falling apart.

I loved the alternating point of views of these two protagonists, and other more secondary characters were also involved, including Nazi generalĀ  Von Rumpel, who is ruthless in his quest to find the Sea of Flames. Having the point of views of bother Marie-Laure and Werner allowed the reader to experience how young people in two very different countries may have adapted to the dangerous situations and tense atmosphere of the period, allowing greater focus on a huge event. Doerr’s writing style is gripping and interesting, as well as being brilliantly descriptive and beautifully worded; he really brings across a deepening sense of danger in the lives of both characters as the story (and the war) progresses. And when the meeting of Marie-Laure and Werner finally comes, it is just as the reader hoped it would be and more, although the moment is snatched away far too quickly by tragedy that has the reader reeling and feeling heartbroken. Despite the poignant ending, it is also a satisfying one that ties up the loose ends and leaves the reader feeling a sad echo of the novel long after they had finished it.

Advertisements
0

Circe by Madeline Miller

9781408890080.jpeg

“I had no right to claim him, I knew it. But in a solitary life, there are rare moments when another soul dips near yours, as stars once a year brush the earth. Such a constellation was he to me”

“He was another knife, I could feel it. A different sort, but a knife still. I did not care. I thought: give me the blade. Some things are worth spilling blood for”

RATING: 4/5

BLURB: “In the house of Helios, god of the sun and mightiest of Titans, a daughter is born. But Circe has neither the look nor the voice of divinity, and is scorned and rejected by her kin. Increasingly isolated, she turns to mortals for companionship, leading her to discover a power forbidden to the gods: witchcraft.

When love drives Circe to cast a dark spell, vengeful Zeus banishes her to the remote island of Aiaia. There she learns to harness her occult craft, drawing strength from nature. But she will not always be alone; many are destined to pass through Circe’s place of exile, entwining their fates with hers. The messenger god, Hermes. The craftsman, Daedalus. A ship bearing golden fleece. And wily Odysseus, on his epic voyage home.

There is danger for a solitary woman in this world, and Circe’s independence draws the wrath of men and gods alike. To protect what she holds dear, Circe must decide whether she belongs with the deities she is born from, or the mortals she has come to love”

REVIEW: I absolutely adored Miller’s debut novel, ‘The Song of Achilles’, which is now widely regarded as a modern classic. I’ve therefore had ‘Circe’ on pre-order for months now, and was so excited when it finally arrived. I got sucked into the story of Circe straight away; I enjoy Greek mythology, and therefore knew the basis of her story and the stories of those whom she meets during her exile on Aiaia. However, Miller writes with such detail, making every character come alive so vivdly, that even if you were clueless about Greek myth the novel would still be easy to get into and understand. It is easy for the reader to bond with Circe, mostly through emotions like empathy and understanding, as we see her increasing loneliness throughout the novel. When Circe is stung by unrequited love and seeks revenge, this is also something the reader can sympathise with; we have all been hurt by love, in some way or another. This makes Circe easier to connect with, and the reader enjoys following her experiences while on exile in Aiaia. Circe is visited by some of the most famous and notary figures of her time, and also learns to defend herself against the mortals who would take advantage of her being a woman alone on an abandoned island. I particularly enjoyed the development of the relationship between Circe and the infamous Odysseus, and later in the novel her friendship with his wife, Penelope. Through these briefly appearing characters, we are able to keep up with the wider political events in Greece at this time and to witness Circe’s involvement in them. It allows the reader to experience the famous events of the Odyssey from an outside, female perspective which puts a different spin on it.

I also enjoyed the fierce and believable relationship between Circe and her son, Telegonus, the illegitimate child of Odysseus, and the budding romance she develops with Odysseus’ other so, Telemachus, as incestuous as this may seem to modern eyes. In light of this particular relationship, I also loved the ending; both pure and romantic, it showed Circe making the ultimate sacrifice for Telemachus and finally choosing whether to remain a deity or become a mortal like her lover.

I greatly enjoyed this novel and loved learning more about Circe, and more about the famous Greek myths in general, through the eyes of a character whom I could somehow relate to and whose perspective I enjoyed reading. I did not enjoy it quite so much as ‘The Song of Achilles’, but I would highly recommend it all the same.

0

The Muse by Jessie Burton

117d8861834e6159372a1ee646444f4e

“My life was a beanstalk and I was Jack, and the foliage was shooting up and up, abundant, at such a speed that I could barely cling on”

RATING: 4/5

BLURB: “On a hot July day in 1967, Odelle Bastien climbs the stone steps of the Skelton gallery in London, ready for her luck to change. She has been employed as a typist by the glamorous and enigmatic Marjorie Quick, who unlocks a potential Odelle didn’t realise she had. When a lost masterpiece arrives at the gallery, Quick seems to know more than she is prepared to reveal and Odelle is determined to unravel the truth.

The painting’s secret history lies in 1936 and a large house in rural Spain, where Olive Schloss, the daughter of a renowned art dealer, is harbouring ambitions of her own. Into this fragile paradise come two strangers, who overturn the Schloss family with explosive and devastating consequences…”

REVIEW: After recently reading Burton’s ‘The Miniaturist’, which I gave a glowing review, I was eager to see if ‘The Muse’ could possibly be just as captivating in my eyes. A lot of people I had spoken to and reviews I had read said that they had in fact preferred ‘The Muse’ to ‘The Miniaturist’, so my expectations were high from the off. I did find this novel easy to read, but did not find that it instantly hooked me in and gripped me, as ‘The Miniaturist’ had done; in actual fact, it wasn’t until about halfway through the book that I discovered the strong compulsion to continue reading and ended up carrying on until I had reached its conclusion. I have always enjoyed novels that flit between two or more different time periods, so I loved the way in which the reader was able to follow the path of Odelle in 1967 and Olive in 1936, and to see how these paths both paralleled and integrated with one another as revelations continued to be made throughout the novel. The stories, although initially seeming entirely different, ultimately connect in an unexpected way that provides a brilliant twist at the ending of the novel. Odelle’s story takes place in London; as a young black woman, she is used to being put down and receiving very little kindness or attention from anyone other than her best friend Cynth, who leaves Odelle lost when she gets married and moves out of their shared home. Odelle takes this opportunity for a new beginning, and finds a surprising level of understanding and lack of judgement when she begins work at the Skelton gallery under the intimidating Marjorie Quick. Despite her reputation, Quick takes a shine to Odelle – reminding me a little of ‘The Devil Wears Prada’, actually – and as her relationship with the owner of a rare mysterious painting develops, Odelle begins to realise that Quick knows far more about the painting’s history than she is letting on.

In Olive’s part of the story, we find here a young and lonely girl, living in rural Spain with only her beautiful but damaged mother and her well-connected, adulterous father for company. Olive nurtures a secret talent as an incredible painter, a talent which only increases with the arrival of a brother and sister, Isaac and Teresa, who soon become part of the Schloss household. For Olive, Teresa becomes the only friend she has ever really had; and her revolutionary brother, Isaac, becomes the lover and muse she has always dreamed of. When Olive passes one of her own paintings off as Isaac’s, we see how the stories of Olive and Odelle begin to intertwine, and feel sorrow over the dangerous consequences that this decision had for Olive.

As a reader, I liked both protagonists and enjoyed both of their stories equally. Personally, however, I tended to favour Olive and her chapters, purely because I could relate to the feelings of isolation she experienced, and the intense creativity that took over her when feeling a particularly strong emotion. Both characters were very well-written, however, and Burton does a fantastic job of setting the scene in both time periods so that it is easy to visualise. The ways in which Odelle’s and Olive’s stories connect are subtly hinted at throughout the book, but the novel does provide a shock ending and is highly impressive as a whole. Although I may not have loved it quite as much as ‘The Miniaturist’, I still really enjoyed this book and would highly recommend it.

0

Women and Power by Mary Beard

91qcPyXdgIL.jpg

RATING: 4/5

REVIEW: I’ve wanted to read this book since its release, and was really excited when a colleague lent it to me last week. I read it in one sitting and really enjoyed it; Beard dealt with a lot of interesting issues facing women today, linking these back to classical Greek and Roman examples as well as examples from later history. This is both fascinating and terrifying; it succeeds in making the reader feel we are not alone, as these attitudes have always been faced by women – but by the same premise, this then horrifies us that we are still facing prejudices that date back to the time of Homer and his Odyssey.

The book consists of two essay-style pieces, which Beard delivered as lectures. The first, ‘The Public Voice of Women’, looks at how women’s voices are suppressed daily in public life, from the culture of mansplaining to the booing and hollering over women MP’s who try to speak in Parliament. The second follows on from this theme, looking more closely at ‘Women in Power’ and how they are judged and treated, their images transformed into something irrefutably masculine in order to make them more acceptable to wider society. I really enjoyed reading this, as I have frequently noticed with anger the attitudes towards female politicians in the news and in headlines, which often tend to focus on their clothing or mock their speeches – I’m by no means the biggest fan of Teresa May, but I was upset on her behalf at how much she was mocked for the terrible cough she suffered from during her party conference speech.

This book is really interesting, and I agreed with all of Beard’s points made in both essays. I both loved and hated the link to Classical times, purely because of the fact that it upset me to realise how little progress in fundamental attitudes towards women has really been made, and therefore how far we still have to go. I would have liked more of an in-depth discussion on mainsplaining, as this is one of my absolute pet hates as a woman and also fits in well with both topics of discussion, yet it was only mentioned briefly. Overall, however, I would highly recommend these essays and am fully supportive of Beard’s point of view and arguments.

2

How to Stop Time by Matt Haig

time

RATING: 5/5

BLURB: “Tom Hazard has a dangerous secret. He may look like an ordinary 41-year-old history teacher, but he’s been alive for centuries. From Elizabethan England to Jazz-Age Paris, from New York to the South Seas, Tom has seen it all. As long as he keeps changing his identity he can stay one step ahead of his past – and stay alive. The only thing he must not do is fall in love…”

REVIEW: I picked this book up as a spur-of-the-moment purchase, and absolutely fell in love. I couldn’t put it down, and read it in just a couple of days despite the rush of returning to work after New Year. This book is perfect for history geeks like myself as we get to see some of the lifetimes that Tom has lived and the people he has met, including Shakespeare and F. Scott Fitzgerald. Although the book begins in the present, the chapters switch to reveal more about Tom’s background and what he has suffered throughout his almost five hundred years on earth. In the present day, Tom is a history teacher led under the guidance of the Albatross Society, who protect those with longer lives at the cost of them committing some rather unsavoury tasks every eight years. He has a dog named Abraham and a crush on the French teacher, Camille, and seems perfectly normal. However, Tom’s life began as the descendant of French aristocracy living in a small English village, where his mother was accused and killed of witchcraft due to his youthful appearance and apparent lack of ageing. When Tom finds the love of his life in Elizabethan London, she and their child also begin to be targeted due to Tom’s lack of ageing, with the superstitious Londoners of the 16th century accuse him of being a demon in disguise. Though it breaks his heart, Tom realises that he is a danger to those he loves due to his condition, and from then on resolves to live alone. And in the 19th century, when he is recruited by the Albatross Society, they agree with his conclusion, warning him not to fall in love and change identities every eight years. In the present day, however, Tom is growing increasingly wary of Hendrich, the leader of the society, who seems to be becoming more ruthless towards those who refuse to join the society and who expects Tom to either persuade or kill them on his behalf. Tom only agrees because Hendrich promises to find his long-lost daughter, Marion, who has inherited his condition; but when Hendrich wants him to kill Omai, his oldest friend, Tom is faced with an impossible choice…

This book is absolutely fantastic. There are so many twists and turns, and so many beautiful and poignant moments; I was often left with tears in my eyes. Haig manages to make every single time period that he writes about realistic and engaging – it is clear that he researched each period thoroughly. The characters, Tom in particular, are easy to connect and empathise with, and the reader finds themself warming to him almost instantly. As a dog lover, I confess I also loved the addition of the elderly dog Abraham in Tom’s present day life as his companion. I thoroughly enjoyed this book and would highly recommend it.

0

Closed Casket by Sophie Hannah

index

RATING: 5/5

BLURB: “Lady Athelinda Playford has planned a house party at her mansion, but it is no ordinary gathering. She announces that she has decided to change her will, cutting off her children and leaving her fortune to someone who has only weeks to live…

Among Lady Playford’s guests are Belgian detective Hercule Poirot and Inspector Edward Catchpool of Scotland Yard, who have no idea why they’ve been invited…until Poirot starts to wonder if Lady Playford expects a murderer to strike. When the crime is committed, and the victim is not who Poirot thought it would be, will he be able to solve the mystery?”

REVIEW: I’ve always been a fan of Agatha Christie, particularly those stories led by Poirot, one of her most famous protagonists. I was keen to read these new takes on Christie’s original character, written by Sophie Hannah, after being recommended them by a friend. I was most certainly not disappointed; in fact, I was instantly captured by how Hannah seems to mirror Christie’s writing style so accurately, whilst also adding an additional flavour of her own particular style. The book was witty, offered an excellent social commentary on the class issues of the period, and captured the true essence of a traditional murder mystery. Mostly narrated by Inspector Edward Catchpool, an old associate of Poirot, this novel tells the story of famed children’s mystery author, Lady Athelinda Playford, who lives with children Harry and Claudia and their respective partners, Dorro and Randall. The household also contains a butler, maid and cook – and, most integral to the story, a young, unwell man named Joseph Scotcher who is a close friend of Lady Playford, accompanied by his nurse, Sophie. Alongside Poirot and Catchpool, Lady Playford also invites her lawyer friend, Michael Gathercole, and his associate Orville Rolfe, to stay at her home for the announcement of changes she has made to her will. Upon the announcement that she plans to leave all of her estate to Joseph, who is dying of a kidney disease, there is uproar among her family, and Poirot begins to expect that he and Catchpool have been invited to prevent a sinister event occuring. When Joseph is murdered later that evening, having just proposed marriage to his nurse, the events take a darker and more confusing turn. As the mystery deepens and the police get involved, making inept decisions at every turn, Poirot and Catchpool are left to work on their own intiative to uncover who, out of the many motives presented by Lady Playford’s guests and family, felt their motive deeply enough to murder an already dying man – and how they did so. I do not wish to reveal the ending of the story here, as the twist is cleverly done and thoroughly explained by the character of Poirot, but I was very impressed with the ending and, indeed, with the book as a whole. I am very keen to read Hannah’s other Christie-inspired work, ‘Monogram Murders’ – I’m hoping it will be waiting under my Christmas tree!

0

Poor Unfortunate Soul by Serena Valentino

10572259_10154021771602938_225975470656486141_o

RATING: 2.5/5

BLURB: “Determined to be with her new love, Ariel makes a dangerous deal with Ursula. Will the cost of losing her enchanting voice and nearly her soul prove too high for Ariel, or will the power of good prevail?”

REVIEW: Ursula is possibly my favourite Disney villain (closely followed by Scar from ‘The Lion King), and having read Valentino’s previous twists on Snow White and Beauty and the Beast I was really looking forward to this one. I was, however, a little disappointed. The novel had so much potential, but many of Valentino’s ideas and tales about Ursula’s background could have done with more elaboration, as could the story of her time in Triton’s court. The story of how she lost the human father who adopted her was heartbreaking, and explained much about Ursula’s personality and villainous actions. Yet other backstories that would have added depth to her character were skimmed past; we learned that she had been close to Triton’s wife during her time at court, but little more about their friendship. We learnt of the fact that Triton and Ursula were in fact brother and sister, but saw little of the dynamics of their relationship aside from skimming the surface of their fallouts and hatred for one another. This made it possible to understand why Ursula targeted Ariel, but it would have been interesting to be able to identify more depth to her motives. Whereas Valentino’s previous books did make the reader feel sympathy for the villains whose stories she told, I have to admit that despite my intial sympathy for Ursula over the death of her adoptive father I had soon stopped feeling anything for her at all. This is unfortunate, as it is this sympathy for the villains which first attracted me to Valentino’s work. The three mad sisters who feature in all three novels are still prominent in this book, and I enjoyed following their story more than I enjoyed following that of Ursula, though of course the two storylines are linked. I particularly love the character of Pflanze, the cat belonging to the sisters, who can communicate with them as well as other witches. Overall, however, I found the book disappointing, and was able to read through it quickly as there was little to grab my attention.